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  1. RE: Mallary Hope's cover of Martina's Love Land

    Fri, Jan 6, 2012 at 10:38 AM

    Wow!!! What a Beautiful Voice! I'm Hoping for Big Things For This Young Lady!
    ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
    Art is the Most Beautiful Deception of All
    And although People try to Incorporate the Everyday
    Events of Life in it, We must Hope that it will Remain
    a Deception! Lest it Becomes a Utilitarian Thing!
    Sad as a Factory! - Claude Debussy

  2. Re: Mallary Hope's cover of Martina's Love Land

    Fri, Jan 6, 2012 at 12:54 PM

    Definitely absolutely beautiful !!
    ---------------------------------------------------------------
    "I was country when country wasn't cool !"

    You may say I'm a dreamer, but I'm not the only one,
    I hope someday you'll join us, and the world will be as one.

  3. Re: Mallary Hope's cover of Martina's Love Land

    Fri, Jan 6, 2012 at 5:47 PM

    Beautiful song, and a beautiful voice. While it may be tough Billy, she vocally has what it takes to make it..
    Thanks for sharing, love to hear new music...
    *******************************************************
    Happiness is sharing love in someone's heart.
    "Loves the Only House"

  4. Re: Mallary Hope's cover of Martina's Love Land

    Sun, Jan 8, 2012 at 6:53 AM

    Sorry, with her release coming up shortly, she took her Reverbnation page down
    John

  5. Re: Mallary Hope's cover of Martina's Love Land

    Sun, Jan 8, 2012 at 9:51 AM

    You can't hear Love Land, but this Myspace Page takes you to her 2 top 40 songs, as well as her version of The Locket, which she wrote about her grandmother and Lauren Alaina just recorded on her CD http://www.myspace.com/mallaryhope/music/songs/quot-fly-fly-love-quot-86050563
    John

  6. Re: Mallary Hope's cover of Martina's Love Land

    Tue, Jan 24, 2012 at 5:53 AM

    Review of the Wilkes Barre January 20th show.

    Darius Rucker's concert shows he made switch to country at the right time
    Total People in Discussion: 0
    Categories: Concert Reviews, Country, Easton State Theatre, Music, Music News
    Posted by John J. Moser at 09:37:10 AM on January 21, 2012

    Darius Rucker fileWILKES-BARRE -- Darius Rucker made his switch to country music at precisely the right time.

    Darius Rucker in file photo

    As the popularity of Rucker’s 1990s band Hootie and the Blowfish waned in the general music market, the acoustic guitar-driven, story-telling songs they did caught fire in the broadened country field. And with little change to his sound, Rucker simply changed labels and was embraced anew.

    Not that his music isn’t very good – it is. But as his show Friday at F.M. Kirby Center in Wilkes-Barre showed, the fans made all the difference. Because there wasn’t much difference in the music.

    In fact, Rucker sang Hootie’s three biggest hits with very little change – his six-man band adding a banjo and resonator guitar played lap slide on “Only Wanna Be With You” and fiddle on “Hold My Hand.” And the first Hootie hit he played, “Let Her Cry” – starting on acoustic guitar in a spotlight before the full and kicked in -- wasn’t changed at all, showing how country the Hootie songs were.

    Those songs got the biggest reactions of the night from the nearly sold-out crowd of more than 1,500.

    And he played some new songs – the opening “Love Will Do That” among them – that were nothing different from the Hootie hits. Even the mandolin on that song would have fit. And a couple of covers, including Steve Miller’s “The Joker,” were flat-out rock.

    But again, that’s not to say Rucker didn’t play them well – he did. He sang with gusto, playing acoustic guitar but just as frequently dancing slightly around stage, dressed in a cap, blue jeans and T-shirt and cowboy boots..

    In all, he played 19 songs in an hour-and-25-minute show that included all his new hits – he now has five No. 1 country songs off just two country albums -- as well.

    The night’s second song, “Alright,” was another that was very Hootie. And it immediately established how intense the crowd was – singing and clapping along. “The Craziest Thing” also had a Hootie basis, with rock guitar behind its lap steel and honky tonk piano.

    The more “country” of his country songs also were good. “Southern State of Mind” was fun, and “Don’t Think I Don’t Think About It,” with fiddle, was touching. Even the songs that were formulaic (“Learn to Live”) and obvious (“It Won’t Be Like This for Long”) were good. Rucker sang both sincerely, and banjo elevated the former and lap steel guitar the latter.

    Explaining he had been on the road with Brad Paisley for the past two years, Rucker played Paisley’s No. 1 hit “Ticks.”

    And by the time he did “The Joker” deep into the show, the crowd even accepted it, singing along loudly when Rucker prompted them – though he also made the song slightly country with a slide resonator guitar.

    Rucker closed strongly, telling the rowdy crowd “every country artist needs a drinking song” before “All I Want,” then continuing that vibe with “The Tequila Song.”

    An extended “Come Back Song” was particularly good, and with the crowd so into it, Rucker commented afterward, “Man, it’s getting hot in here.”

    And when he played “Hold My Hand” as the penultimate song of the main set – by that time, the crowd in a frenzy – he actually made it more upbeat rock/pop than the original arrangement, which would have been more country, though he did add fiddle.

    And the main set closed with an appropriately rowdy cover of Hank Williams Jr.’s “Family Tradition.”

    The encore brought Rucker’s two worlds together, opening with a perfunctory version of “History in the Making,” then closing with a cover of Prince’s “Purple Rain” – decidedly not country, with its screaming guitars and him bathed in purple lights.

    But if anyone is going to mix it up like that, Rucker did it at precisely the right time.

    Opening act Mallary Hope was surprisingly good – refreshingly fun and equally talented. She did “American Idol” runner-up Lauren Alaina’s single “Georgia Peaches” (which Hope wrote) far better than Alaina does, and did a cover of Fleetwood Mac’s “Landslide” that was far better than The Dixie Chicks – even though it would have been better hade she sung it less stylized.

    Rucker, with Hope opening, plays a sold-out show at Easton’s State Theatre on Sunday.

    John

  7. Re: Mallary Hope's cover of Martina's Love Land

    Sat, Jan 28, 2012 at 6:21 PM

    I was at that show! What an incredible concert! Mallory has got some real talent! I wish I could hear 'Loveland.' She really did a nice version of the Fleetwood Mac version of 'Landslide!'

  8. Re: Mallary Hope's cover of Martina's Love Land

    Sun, Jan 29, 2012 at 10:43 AM

    Jim, we were there too, wish we could have met. We have known Mallary for a few years now and she is as nice as she is talented. She has been opening for Darius since September.
    John

  9. Re: Mallary Hope's cover of Martina's Love Land

    Fri, Feb 24, 2012 at 11:45 AM

    Another awesome review of Mallary at the Ryman yesterday...

    Bobby Karl Works the UMG Ryman Showcase
    Bobby Karl • February 23, 2012

    Chapter 390
    The third annual Ryman showcase by UMG (2/22) has staked its claim as the pre-eminent musical presentation of Country Radio Seminar.

    I can’t think of an event in the history of CRS with more thrills per moment. As in previous years, almost the entire Universal roster, 19 artists, performed one song each.

    There were a couple of exceptions, beginning with show-opening superstarGeorge Strait, who performed two tunes. Introduced by host Royce Risser, Strait walked out to screams of excitement and a standing ovation.

    “I want to thank MCA for having me out here today,” he said. “Thank you for supporting my career for so many years,” he added, addressing the 1,000+ radio professionals in attendance. Accompanied by guitar aces Mac McAnally and Steve Gibson,Strait sang “I Will Always Remember You.” It was a moving, wistful reflection on a life well lived and songs well sung that brought him a second standing ovation. He followed it with his hit “Troubadour,” which drew an even longer s.o. He clapped back at the cheering crowd.

    Luke Lewis, Tony Brown and Erv Woolsey came out to present him with a plaque saluting “Here for a Good Time” as the first of Strait’s No. 1 hits that he had a hand in writing (along with Dean Dillon and son Bubba Strait). Marc Driskill of ASCAP presented a plaque for the same achievement as well as a guitar that the organization gives to all first-time No. 1 songwriters.


    (L-R): Royce Risser (MCA), Luke Lewis (UMG), George Strait, Tony Brown, Erv Woolsey. Photo: Peyton Hoge

    “I should have started doing this a long time ago,” said Strait. “Think how many guitars I’d have.”

    “I think that’s something you’ll be able to tell your grandchildren,” Risser stated. “You saw George Strait at the Ryman. And every artist after this will be able to say, ‘Yeah, I remember the time when George Strait opened for me back in 2012.’”

    One of the afternoon’s most emotional moments was provided by Vince Gill. “I wanted to come out today, more than anything, to say thank you,” he told the radio folks. “It was a really sweet, sweet ride for the last 23 years,” he added, revealing that after all those years he is no longer an MCA Records artist. He performed the trembling, devout “The Red Words” and drew a standing ovation.


    (L-R): UMG Nashville Chairman Luke Lewis and Lionel Richie. Photo: Peyton Hoge

    The finale artist of the afternoon wasLionel Richie. Like Strait, he was allowed two performances. Both “Easy” and “Crazy in Love Over You” were duets with Luke Bryan, who was revealed as a total Lionel freak.

    “I am having the best time of my life,” said Richie, whose Tuskegee CD of Nashville duets will be issued next month. “I’m not born country, but my songs have been country for a long time.” By the way, CBS-TV’s Lester Holtof The Today Show is in town to interview him. Holt is an aspiring bass player.

    For chill-bump responses from the conventioneers in the Ryman, the UMG baby acts ruled. Here’s how I rank ‘em:

    1. Mallary Hope delivered the finest vocal performance of the day with her minor-key gem “Black Widow Spider.” She drew spontaneous applause even before the song ended. At the finish, she segued into a snippet of Dolly Parton’s “Jolene.” “That’s awesome,” someone shouted. “Awesome and scary, too,” added Risser.

    2. Unknown newcomer Kacey Musgraves also drew spontaneous, mid-song applause for the superbly crafted lyric of “Merry Go Round.” The song of small-town dysfunction incorporated a number of children’s nursery rhyme phrases. A native Texan, Musgraves is notable for tunes she’s penned for Miranda and Martina.

    3. It looks like Kip Moore has a hit on his hands with the thumping “Something ‘Bout a Truck.” “You guys are changing my life,” he said.

    4. Alabama native Drake White walked out as a total unknown and walked off as a twinkling little star. “You Always Want What You Can’t Have” was hillbilly-soulful and super intense. At one point, he stepped away from the mic and wailed a cappella into the hall. They screamed in response.

    5. Expectant father Randy Montana got fine response with his new “Little Rock and the Rain.”

    6. Amazing Race TV veteran Canaan Smith said, “Last year at this time, I didn’t even know what a programmer was. I think the ink was still wet on my contract.” His debut single, the sprightly and earnest “We Got Us,” has just charted.

    7. Former SteelDrivers member Chris Stapleton staged his debut performance as a solo artist. “A lot of people in this room have had a huge impact on my life as a songwriter,” he said. “So thank you.” Then he floored them with his gritty, raspy, bruising, blue-eyed soul vocal on “Sometimes I Cry.”

    Of the company’s more established artists, the finest performance came from David Nail. He blew the roof off the Ryman when he sang last year, and he repeated the feat on Wednesday when he sang his so-powerful, soaring new single “The Sound of a Million Dreams.” In a word, wow.

    Laura Bell Bundy’s new single ships next month. She sang the uplifting “That’s What Angels Do” superbly.

    The always dependable Josh Turner turned in a smoothly grooving “Time Is Love.” That was another big crowd favorite. Also on tap were Lee Ann Womack, The Randy Rogers Band, Josh Kelley, Scotty McCreery, Easton Corbin and Lauren Alaina.
    John

  10. Re: Mallary Hope's cover of Martina's Love Land

    Fri, Feb 24, 2012 at 11:58 AM